Showing posts with label Dame Evelyn Glennie. Show all posts
Showing posts with label Dame Evelyn Glennie. Show all posts

Friday, September 24, 2010

Evelyn Glennie: How to listen to music with your whole body

Image from Drummerworld.

Learning to perform music is not just about playing the right notes at the right time.


Ensure that the ‘pulse’ can be felt throughout the whole piece. This is especially important when playing un-pitched percussion such as snare drums


It is important to ‘tell the story’ through expression and playing in the correct style.

In music, especially percussion, techniques that suit the instrument you are playing on are important for producing the correct sound.


You need to monitor your movements on each instrument so that timing, dynamics, and the sound you produce are suited to the music you are playing. Think of the difference between playing a bass drum for a marching band and playing soft rolls on a concert bass drum.


When you play on an instrument you need to lift your sound and play with feeling so that the audience can gain an understanding of the story you are telling.



Here are some notes I took from the video:


· As a musician, you need to do everything that is not on the music.

· Translation: things that make the music interesting

· Interpretation: getting the basic feeling from the written notation is not enough.

· If you allow your arm to simply support the stick instead of control it, you will feel more at one with the instrument.

· Performance is so “raw” and “basic” that it becomes an individual journey dependent on the size of the room, which instrument you are playing, the mallets you use, the speed with which you play etc

· Give yourself time to explore how a piece of music should be performed and with what sensitivity

· Music is much more than waves reacting with the membranes in your eardrums.

· Glennie is deaf and “hears” instruments with other parts of her body. She feels vibrations. Glennie tries to “connect” with the sounds she produces with more than just the ears a normal person employs. For example, she can “feel” different sound colours through vibrations in her arms or parts of her skull.


What steps can you go through to make your own performances more exciting?

Friday, September 17, 2010

Sesame Street: Evelyn Glennie Plays the Drums

Sesame Street is a Children's Television program that has had many fans since it started in the 1960's. In this short segment, Evelyn Glennie shows that you can play percussion on just about anything - including Oscar the Grouch's trash cans!

What non-instrument things have you played percussion on?
Were the sounds they made unusual or did the sounds remind you of something else?

I'll start - I like tapping on plastic surfaces such as chairs...when you play a multiple-bounce roll or fast double-stroke roll on most hard plastic surfaces, it can sound like rain falling into a bucket. I love the different sounds of rain :)


Evelyn Glennie: Short Promo

Dame Evelyn Glennie is possibly the most inspirational percussionist that has influenced my desire to play percussion and teach.

This is the first of many posts that I will dedicate to the life and career of Evelyn Glennie - the world's first successful solo percussionist. What makes Glennie's achievements more spectacular, is that she suffered a childhood illness that left her hearing impaired at the age of eight.

This is a short promotional video sourced from YouTube but also found on her official website, http://www.evelyn.co.uk/

Enjoy :)